Levinovsky, a jazz pianist and composer, came to New York from Russia seven years ago.
A few years after he arrived in the U.S., he met his vocalist wife, Kathleen Jenkins, when
an agency they were both working for recommended Mr. Levinovsky as an accompanist for Ms.
Jenkins. They started working together, and out of the working relationship romance began.
On Tuesday, September 2nd, Mr. Levinovsky will assemble his seventeen piece big band
(mostly made up of American musicians, along with some Russian musicians now living in the
U.S.), with Ms. Jenkins-Levinovsky as the featured vocalist, for a CD Release Party at the
new Birdland Jazz Club on West 44th St. in Manhattan to showcase his original concert jazz
compositions on his latest CD entitled "Listen Up!
Though he did not know English when he arrived, Mr. Levinovsky now speaks with a cheerful
intensity and a heavy accent. His English is a little broken at times but he is easily
understood. Mr. Levinovsky grew up in a large Russian town called Saratov, in the
southeast part of Russia. His parents were professional opera singers, and he was trained
as a classical pianist. He describes the city in which he grew up as a highly concentrated
art and cultural center for that part of Russia, with a conservatory, university, opera
theater, dramatic theater, and philharmonic orchestra. It was "a very intensive
Like all Russian children of musical families, explains Mr. Levinovsky, he was accepted
into music school when he was six years old and started studying piano, spending seven
years there, undergoing a "very tough schedule". He explains, "If they put
you in musical school, there is no option: you've got to study. At the same time I was in
regular elementary school - two different schools. (A) very strong education.
From there, he went to college for four years, which he describes as a middle ground
before going on to the conservatory. He went on to earn a Master of Arts degree from
Saratov State Conservatory.
In mid-fifties Russia, jazz according to Mr. Levinovsky , was a "...forbidden music,
discouraged music. Nobody forbade it officially by law, but the common attitude towards
jazz was very negative. Because it was American art."
Describing how his interest in jazz began he says: "I used to spend my leisure time
ice skating.... There was a lot of music being played by local radio stations to entertain
the customers...I started hearing some very unusual things....It sounded different from
what I heard in opera theater, (or at) my music lessons....It sounded very strange and
very exciting and mysterious, like magic....It was like a magnet: I couldn't avoid it. I
didn't realize it, but I'd already fallen in love with jazz."
Later, in college, he began talking with fellow musicians and collecting the few jazz
recordings that were available. Then one day his father bought a shortwave radio, which
Mr. Levinovsky says was not common in Russia at the time. They started tuning in when
suddenly he heard music that caught his attention, followed by an announcer saying,
"This is Willis Conover of the Voice of America, and that was the Benny Goodman
Orchestra." He remembered the dial setting and started tuning in every night to
listen, and later record, the jazz broadcasts.
Mr. Levinovsky began to play, as well as arrange and compose jazz. While he was never
thrown in prison and never broke any laws, he was discouraged by being labeled by the KGB
as bad, and was shunned. At the same time, he says, he was the best student at the college
and at the conservatory. Times have changed. The college, which celebrated its 100th
anniversary this year, now mentions his name among the best and most well-known graduates
Mr. Levinovsky tells of the contradictions of Soviet life. The principal of the college,
who did not hide his disdain for the jazz musicians, once called him into the office and
asked "Can you put together your guys for tonight?" Fearing a trap, Mr
Levinovsky didn't know how to answer. He was requested with his band to play an evening of
dance music and was given an address. They arrived at a banquet hall full of nicely
dressed people and tables heaped with food. On the back wall was a banner that read,
"Welcome, KGB Workers." Laughing, he recalls, "They could forbid jazz (and)
at the same time invite you to play for them."
By the time he became a professional, he says, the attitude towards
jazz had changed. Jazz became separated from the West. It was accepted as an art form to
the point that jazz festivals/competitions were held. Mr. Levinovsky used these
competitions to hone his skills, winning many awards in the process. The competitions gave
him a name. In the late sixties he was invited to join a jazz orchestra in Moscow, where
he spent the next twenty years performing, conducting, arranging, and composing.
Ten years after coming to Moscow, he put together his own band, called Allegro. Mr.
Levinovsky says, "This band quickly became famous in Russia. It was the end of the
seventies, beginning of the eighties. This band was recorded tremendously in Russia
(Mobile Fidelity Sound Labs reissued one of his recordings in the U.S. about five years
ago), put on TV and Radio broadcasts. We got a lot of traveling around the world, we got
huge press - everything."
Says Kathleen of his move to America, "Nick had to start from zero because he really
has no name here." Since his arrival, Mr. Levinovsky has been working his way into
the New York jazz scene, performing at clubs, restaurants and hotels, and as a musical
director for theater. Outside New York, he has performed in Boston, Chicago, Detroit,
Miami and Puerto Rico. In 1992, he performed in Russia with Ms. Jenkins and other American
musicians, and last year Allegro performed a concert at Avery Fisher Hall, Lincoln Center,
as part of the JVC Jazz Festival.
Ms. Jenkins-Levinovsky is from St. Paul, Minnesota, and
started out singing country rock and top-40 music in "bars and dives". She fled
that music by joining the U.S. Airforce Band, where she was introduced to jazz. She sang
with a thirty-five-piece concert band doing Broadway show tunes and with an eighteen-piece
jazz ensemble traveling up and down the East Coast and in Europe. After being discharged
from the Airforce, in 1985 she came to New York to attend the American Musical and
Dramatic Academy, which she credits for the bulk of her musical theater background and
Since then she's worked with nostalgia dance bands, including the Llyn Oliver Orchestra.
For the last two-and-a-half years she's concentrated on musical theater. In addition to
playing numerous musical theater roles, she was artistic director and producer for a
cabaret comedy group called Cast Of Characters. She also founded and owned a theater for a
"I guess my forte is combining Broadway and jazz" she says. "I think I'm a
show singer with a jazz feel. Although I am learning more about how to improvise and scat,
the lyrics are more important to me than making sounds. Which is why I think I went in the
musical theater direction".
Her voice will be featured with Mr. Levinovsky's big band, which has been together for two
years. Right now he says, it's "just for art, maybe later for profit." You can
pick up The Nick Levinovsky Big Band (featuring Kathy Jenkins) CD "Listen Up!"
at any of the New York City music stores such as HMV, Tower, Barnes and Nobles, Virgin and